Shopping at the Quality Gap
Anne Asensio draws an imaginary triangle with her fingers, designating each corner with the three primary elements of developing a new vehicle: cost, time and quality. Everybody understands that each has equal value, says General Motors Corp.'s executive director of the design staff's brand character center. But it can be low cost cheap and not out on time. You need a nice balance, but I put quality
Anne Asensio draws an imaginary triangle with her fingers, designating each corner with the three primary elements of developing a new vehicle: cost, time and quality.
“Everybody understands that each has equal value,” says General Motors Corp.'s executive director of the design staff's brand character center. “But it can be low cost — cheap — and not out on time. You need a nice balance, but I put quality right at the top. Quality is the issue today — total quality management.”
A French native who studied sculpture and industrial design in Paris and at the Center for Creative Studies in Detroit, Ms. Asensio, 38, joined GM last October from Renault SA, where she was a key designer in developing several popular vehicles including the Scenic midsize minivan, Clio subcompact and Twingo minicar.
At GM she's responsible for future designs for all seven GM vehicle lines: Buick, Cadillac, Chevrolet, GMC, Pontiac, Saturn and Hummer.
Based on GM's less-than-stellar showing in most vehicle quality studies and surveys, partly related to how its vehicles look and feel — the “perceived” part of the equation — she faces a hefty challenge. And her imprint and that of her designers and others on GM's quality bandwagon aren't likely to have a great deal of impact for several years as it completes scores of programs already in the works.
Achieving world-class quality — read that the Toyota Motor Corp. variety — won't come from the design side alone. It'll take the combined efforts of everyone involved in the process: engineering, manufacturing and suppliers. In short, a team approach.
Ms. Asensio, however, will focus on design quality from a new perspective. “There are three kinds of quality,” she says. “There's technological quality, perceived quality and cultural quality. The way you perceive quality is different in France and Germany and the United States” and it might be added, Japan. “What we know is, if you don't improve durability, dependability and perceived quality, you die.”
Paying strict attention to design details up front may be the lifesaver, she suggests. “If you put changes in at the last minute, you might says ‘oops,’” she says, covering her mouth with her hand, “and that means you didn't do a good job on quality in the first place.”
U.S. automakers have been wrestling with defining what constitutes “quality,” and developing and producing cars and trucks that exude those features, for more than 20 years as Japanese automakers, with Toyota and Honda in the forefront, have notched up customer expectations. More recently, European automakers have closed the gap with the Japanese while the U.S. Big Three have struggled to keep in the running.